Top 5 Beginner Bass Guitars
By Dan Cross, About.com
 
Buying a bass guitar for a novice can be tricky... there are a ton of cheap beginner basses out there, but many of them feature cheap hardware, and shoddy workmanship. The trick is to find a bass guitar that is both easy to learn on, yet also easy on the pocketbook. The following basses, all of which hover in the couple hundred dollar range, are some of the best valued bass guitars on the market.
 

1. ESP B50

This funky looking bass features a basswood body (a relatively soft wood), with maple neck, and rosewood fingerboard. For a couple hundred dollars, this dependable bass should be considered a bargain. If you like this look of this ESP bass, then you should consider this one for a beginner instrument.
 
Yamaha have earned a reputation for being a company able to produce quality instruments with low price tags. The RBX374, with it's fully alder body, maple neck, rosewood fingerboard, and P-style pickup, is no exception. Although not the cheapest bass on this list, this model offers quite good value for the price.
 

3. Squier Standard Jazz

This is Fender's low priced version of the classic Fender Jazz bass. The pickups and electronics are inferior, and there are lots of other reasons why this Squier model isn't of the same caliber as the original, yet for the price tag, this instrument will still provide that Fender Jazz sound, without busting your budget.

4. Epiphone Accu Bass

This is a classic looking P bass, made by Epiphone, featuring a maple/alder body, and a split humbucking pickup. The Accu Bass is a very solid, durable instrument, so if you think you might be putting your bass through a lot physically, this might be the one for you.

 

5. Ibanez GSR200

This low-cost Ibanez bass guitar has an individual look and feel. The body is made from Athagis wood, the neck from maple, and the fingerboard from rosewood. The GSR200 features a rather thin neck, which many people might find easier to learn on. As is usually the case with low cost instruments, the electronics aren't top notch, but for the money, the GSR200 is a good bet.

Sponsored Links


    Learn How to Play Guitar.
Modern Guitars Magazine - News Archive
Updated :

Artist Creates Custom Guitar Sculptures from Recycled License Plates
Cary, North Carolina, resident Peter Geiger has found a way to unite two of his passions, cars and music, by creating actual-sized guitar sculptures that incorporate old automobile license plates. A long time guitar aficionado and car enthusiast, artistic inspiration struck during a home jam session when Geiger's eyes fell on his own old plates hanging on the wall. Combining elements of both wood and metalworking, Geiger now creates his guitar sculptures for custom orders. Each piece is unique and customers can choose the style and license plates that suit them. "Sometimes people say, 'I live in Texas and I'm moving to Louisiana. Can you make a guitar with these?'" says Geiger, and he transforms them into a piece of visual art that has special meaning to the customer. "Others" he continues, "bring me their license plates and say, 'Here, I don't need them, you use them. Make something special." More »

Dr. Brad DeRoche Talks about the Interlochen Arts Camp
Dr. Brad DeRoche is one of the hardest working guitarists you will ever meet. He is regarded as a world-class classical guitarist who maintains a busy performance schedule of concerts and clinics every year. DeRoche is also one of the most sought after classical guitar educators in the Midwest and he holds teaching positions at Delta College, Central Michigan University and the Interlochen Arts Camp. On top of all of these commitments, DeRoche is the co-owner of the highly successful company, Strings by Mail. Currently teaching in his second season at the Interlochen Arts Camp, DeRoche took time from working with his students to talk to us about the Interlochen experience and the many projects in which he is currently involved. More »

Sugiyama Asks: Why Do People Buy Expensive Guitars?
The less than upbeat state of the world's economies doesn't seem to have dampened the widespread interest in vintage guitars; the buying and selling, maybe, the interest, no. For those with the fever who find their guitar budget tightening, Modern Guitars magazine columnist Saiichi Sugiyama reminds us that some vintage instruments have an allure often overshadowed by concerns about investment potential: they play well, sound great, and the ugly ducklings in the category might be a bargain. In his latest article, "Why Do People Buy Expensive Guitars?", Sugiyama chronicles a shopping expedition in a well-stocked Tokyo guitar store where he meets two old Gibson electrics, one with a broken neck repair, the other a botched converion attempt, and both completely refinished and lacking original parts. Old, yes, collectible, no, but each had a unique charm. More »

Taylor Guitars Celebrates 35th Anniversary
Taylor Guitars of El Cajon, California, has announced the introduction of limited edition models in celebration of its 35th anniversary. Founded in 1974 by Bob Taylor (who at the time had not yet turned 20), Kurt Listug and Steve Schemmer and originally named Westland Music Company, by the end of its inaugural year the company could boast three employees, the production of six instruments, and having overcome several hurdles, including its original facility. "That place was so bad," says Listug. "The roof leaked like crazy, and whenever it rained, the place flooded. It rained hard the night before we opened [October 15, 1974], so we spent the entire morning of our first day in business trying to get as much water out of there as we could." Bob Taylor recalls the spirit of the company's early days: "When it flooded, we'd take all the sawdust that we'd already swept up, and sprinkle it around the floor to soak up the water. It made the place even more of a pig sty. But it was fun. What did we know? We were just kids. Somehow, we'd skirted having to get real jobs. We didn't have a boss, we were making guitars. What could be better?" More »

Guitar Luthier John Page and the Story of 016, Part Two
Modern Guitars columnist John Page continues his photo chronicle of the creation of a new piece of electric guitar functional art in The Story of 016, Part Two. Page, who co-founded the Fender Custom Shop and who has been a leading proponent of how and why the contemporary electric guitar can serve a dual role as both working instrument (functional) and the source of visual pleasure (art), has pursued a career in fine art after leaving Fender, creating a number of successful art gallery-level wood-based sculptures. After a hiatus from guitar building, Page re-entered the field in 2006 with his completely hand-built custom line, the P-1. The Story of 016 discusses how Page's new twist on the P-1 incorporates his love of both finely built custom guitars and fine art. The client who commissioned the 016 asked Page if it could somehow serve as both a high-end guitar and a piece of art. "For me," says Page, "this is the best of all worlds, mix my two great passions, guitars and visual art!" More »

RSS Software
Increased Website Traffic