Ampeg Bass Guitar Amplifiers

1960's Ampeg Jet J-12 J12 Combo Used Nice Shape

1960's Ampeg Jet J-12 J12 Combo Used Nice Shape

-
$540.00
$610.00
1h 23m
Ampeg vintage 60's blue diamond tolex

Ampeg vintage 60's blue diamond tolex

1 $38.95 2h 7m
Ampeg SVT vintage blue dogbone handle

Ampeg SVT vintage blue dogbone handle

1 $12.70 2h 27m
Ampeg vintage 60's Black silver grey grill cloth

Ampeg vintage 60's Black silver grey grill cloth

1 $22.50 2h 42m
12 " Speaker 8 ohm Vintage for Fender Gibson Ampeg etc

12 " Speaker 8 ohm Vintage for Fender Gibson Ampeg etc

-
$16.50
$29.00
3h
ATA ~GLIDER~ Case RECESSED for AMPEG V4 V-4 V 4 HEAD

ATA ~GLIDER~ Case RECESSED for AMPEG V4 V-4 V 4 HEAD

$149.00 3h 13m
Ampeg SVT450H 450W Bass Amp - Factory Refurbished

Ampeg SVT450H 450W Bass Amp - Factory Refurbished

$669.97 3h 17m
AMPEG BA300-210 300W BASS TUBE AMP AMPLIFIER COMBO

AMPEG BA300-210 300W BASS TUBE AMP AMPLIFIER COMBO

- $547.49 3h 35m
Nearly Brand New Ampeg SVT-VR 300w  All Tube Bass Head

Nearly Brand New Ampeg SVT-VR 300w All Tube Bass Head

5
$860.00
$1,725.00
4h 1m
Vintage Ampeg Selmer B-100 B100 Bass Amplifier Amp

Vintage Ampeg Selmer B-100 B100 Bass Amplifier Amp

$279.00 4h 27m
Ampeg Reverberocket Guitar Amp MODIFIED BY ANDRE

Ampeg Reverberocket Guitar Amp MODIFIED BY ANDRE

$850.25 4h 42m
Ampeg V-50H Head - Made in USA

Ampeg V-50H Head - Made in USA

-
$374.95
$549.95
5h 18m
AMPEG SVT-15E BASS CAB VERY NICE!!

AMPEG SVT-15E BASS CAB VERY NICE!!

4 $26.00 5h 22m
AMPEG SVT-1510E BASS CAB

AMPEG SVT-1510E BASS CAB

5 $26.00 5h 22m
Ampeg SVT Classic Original Owner's Guide 8 Pages Clean

Ampeg SVT Classic Original Owner's Guide 8 Pages Clean

- $0.98 7h 44m
AMPEG AMPLIFIER - LARGE 2' X 2' BANNER - NICE !!!!!

AMPEG AMPLIFIER - LARGE 2' X 2' BANNER - NICE !!!!!

1 $7.95 8h 10m
AMPEG B15N Vintage Bass Amplifier GREAT b 15N !!!!!!!!!

AMPEG B15N Vintage Bass Amplifier GREAT b 15N !!!!!!!!!

- $999.00 8h 10m
Ampeg BA112 Padded Cover bass combo amp gig bag case

Ampeg BA112 Padded Cover bass combo amp gig bag case

-
$25.00
$35.00
9h 12m
Ampeg AFP-2B 2-btn footswitch SVTPro SVPPro etc

Ampeg AFP-2B 2-btn footswitch SVTPro SVPPro etc

1 $15.00 9h 26m
Ampeg V-412 SLM 4x12 Speaker Cabinet

Ampeg V-412 SLM 4x12 Speaker Cabinet

- $200.00 9h 38m
Ampeg SVT-4 PRO Bass Amp Head 1200 Watt Made in USA

Ampeg SVT-4 PRO Bass Amp Head 1200 Watt Made in USA

8 $700.00 9h 43m
ATA ~GLIDER~ Case RECESSED for AMPEG SVT AMPLIFIER HEAD

ATA ~GLIDER~ Case RECESSED for AMPEG SVT AMPLIFIER HEAD

$149.00 20h 28m
Ampeg SVT810E Padded Speaker Cover by Tuki Covers - NEW

Ampeg SVT810E Padded Speaker Cover by Tuki Covers - NEW

$108.00 20h 50m
warwick ampeg complete combo

warwick ampeg complete combo

$2,000.00 23h 28m
Ampeg BA112 50W Single 12 Bass Combo

Ampeg BA112 50W Single 12 Bass Combo

1
$100.00
$199.00
23h 41m
Ashdown ABM 8x10 bass cab with ATA flight case ampeg

Ashdown ABM 8x10 bass cab with ATA flight case ampeg

- $700.00 1d 25m
Ampeg SVT-4PRO Bass Head Amp 1200W Pre Tube Amplifier

Ampeg SVT-4PRO Bass Head Amp 1200W Pre Tube Amplifier

$1,070.99 1d 41m

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Modern Guitars Magazine - News Archive
Updated :

John Wunsch and the Interlochen Guitar Festival and Workshop
The name Interlochen has long been synonymous with excellence in the arts and arts education, and the annual Interlochen Guitar Festival and Workshop is no exception. The Workshop is held every summer in August, this year from the 20th to the 22nd, on the storied campus of the Interlochen Center for the Arts. Widely known for having one of the world's top high school fine arts programs for younger artists, recently Interlochen has begun offering classes and workshops geared towards adult students through its new College of Creative Arts. When this initiative was presented by current president Jeffrey Kimpton, Academy guitar instructor John Wunsch jumped at the chance to start a weekend-long guitar festival and workshop that would be geared towards the adult student population, as well as to a variety of musical styles. Participants at the Festival and Workshop have the chance to experience the exceptional tradition of excellence that has gained Interlochen its world wide recognition, something that had previously been reserved for high school, and younger, students. More »

Dr. Brad DeRoche Talks about the Interlochen Arts Camp
Dr. Brad DeRoche is one of the hardest working guitarists you will ever meet. He is regarded as a world-class classical guitarist who maintains a busy performance schedule of concerts and clinics every year. DeRoche is also one of the most sought after classical guitar educators in the Midwest and he holds teaching positions at Delta College, Central Michigan University and the Interlochen Arts Camp. On top of all of these commitments, DeRoche is the co-owner of the highly successful company, Strings by Mail. Currently teaching in his second season at the Interlochen Arts Camp, DeRoche took time from working with his students to talk to us about the Interlochen experience and the many projects in which he is currently involved. More »

CD Review: "Heavy Days" by Mambo Sons
Heavy Days, the newest CD from Mambo Sons, is a two-disc collection of songs steeped in the classic blues-rock tradition, but with the Sons’ own flair. They wield a veritable Mambo stew of influences, including early '70s Stones, Mott the Hoople, Free, Cream and countless others. Heavy Days features the kind of music that used to get a lot of airplay and harkens back to the days of the classic double-LP a la Exile on Main Street. The bottom line: This is a collection of great songs that deserves to be heard. Mambo Sons are Tom Guerra on guitars and vocals, Scott Lawson on bass and vocals, and Joe “The Cat” Lemieux on drums and vocals, with very special guest Matt Zeiner providing Hammond, piano, clavinet, and Wurlitzer on several tracks. More »

Saiichi Sugiyama Talks about the Gibson SG in "The SG Sound"
Four instruments sit at the head table in the pantheon of solidbody electric guitars that defined and continue to define the sound of rock 'n' roll and related genres: the Fender Stratocaster; the Fender Telecaster; the Gibson Les Paul; and the Gibson SG. Saiichi Sugiyama, in his Modern Guitars column, Vintage, chronicles his relationship with the Gibson SG: "The SG Sound." Says Sugiyama: "Someone told me that Carlos Santana played "Samba Pa Ti" on his early '60s SG Special. The harmonics on my SG sounded, to my ears, not dissimilar despite the obvious P-90 colouring of that tone. Eric Clapton said, when we were doing the research for the Christie's 2004 catalogue, that the March 1968 "Crossroads" on Wheels of Fire was played on his cherry-red 335 - but, to be honest, I am not convinced. To my ears, it sounds like a mahogany guitar – his Firebird or more likely the painted SG known as The Fool."

Steve Vai on Composition and "Where The Wild Things Are"
September 29, 2009, brings the release of Where The Wild Things Are, live concert material recorded before a sold-out audience at the State Theatre in Minneapolis, Minnesota, in 2007 during Steve Vai's Sound Theories World Tour. The performance footage will be released on DVD and Blu-ray with a music-only CD also available. The 2007 Sound Theories World Tour featured a band Vai called String Theories, comprised of Steve Vai with Bryan Beller (bass), Alex DePue (violin, keyboards), Ann Marie Calhoun (violin, keyboards), Jeremy Colson (drums and percussion), Dave Weiner (guitar and sitar), and Zack Wiesinger (a brief appearance during the show on lap steel and the tour's solo opening act with Zack on electric guitar). Though the tour launched in conjunction with the release of the double-CD Sound Theories I & II, it was a standalone animal featuring a set list of both well known and not so often performed pieces from the Vai catalog, which might account for the upcoming DVD's name, Where The Wild Things Are, that drops the Sound Theories main title connection. On August 7, 2009, I spoke to Steve Vai, technically about the upcoming release of Where The Wild Things Are, but having been an avid listener to Sound Theories I & II and viewer of Visual Sound Theories for the last two years, my main interest was how these three works serve as an argument for the Vai-ability of his catalog as composition. More »

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